Interviewed by Susan Kraft on November 24, 1998, in New York City Ballet's Education Office.
Summary
Former New York City Ballet dancer Vicki Bromberg describes her audition for School of American Ballet; combining her schedule of ballet classes with academics; joining New York City Ballet; her early impressions of George Balanchine; her early years in the corps de ballet; competitiveness among the dancers; rehearsing with Balanchine on Noah and the Flood, Scheherazade and Violin Concerto; her stage fright; working with Jerome Robbins; Balanchine's lessons in the economics of running NYCB; leaving NYCB; her impressions of the Company today and thoughts about its future.
Local Note
Preservation master cassette: *MGZTCO 3-2142, 12 of 13/Side A.
Dubbing master: *MGZTD 10-2162.
Archival transcript: *MGZMTO 3-2162.
Partially funded by the National Endowment for the Arts.
