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Author Lee, Baayork, Interviewee.
Title Interview with Baayork Lee [sound recording].
Imprint 2003.
Location Call No. Status Help Message
 Performing Arts Research Collections - Dance  *MGZTC 3-2384  cassette 1    AVAILABLE USE IN LIBRARY
 Performing Arts Research Collections - Dance  *MGZTC 3-2384  cassette 2    AVAILABLE USE IN LIBRARY
 Performing Arts Research Collections - Dance  *MGZTC 3-2384  cassette 3    AVAILABLE USE IN LIBRARY
 Performing Arts Research Collections - Dance  *MGZMT 3-2384 transcript    AVAILABLE USE IN LIBRARY

Details

Description 3 sound cassettes (ca. 195 min.) + transcript (76 leaves)
Note Interviews with Baayork Lee conducted by Liza Gennaro at The New York Public Library for the Performing Arts in New York City on June 13 and 23, 2003.
Summary Cassette 1, 06/13/03 (ca. 90 min.). Baayork Lee discusses her family background; her first performing experiences and developing a serious interest in dance; studying at the School of American Ballet; her admiration for Maria Tallchief; attending the New York City High School of Performing Arts [now the Fiorello H. LaGuardia High School of Music and the Arts]; her desire to become a ballerina; her experience as a child performing in the musical comedy The King and I and then Flower Drum Song; more on her experience at the New York City High School of Performing Arts; her friendship with Carol Haney; her first experience working on opera; the development of her career; her experience in the show, Mister President; working with Donald McKayle on Golden Boy; the limited opportunities for Asian performers on Broadway; working with Michael Bennett; his skill and versatility; becoming a dance captain in the musical comedy Promises, promises; working on the film, Jesus Christ, superstar; her first experience choreographing when doctoring the show Seesaw with Michael Bennett and others.
Cassette 2, 06/23/03 (ca. 90 min.). Lee continues her discussion of working on the show Seesaw; defining the roles of those who work with the choreographer; the development of A chorus line; the unusual audition process; Lee's transition from her ballet training toward work on the Broadway stage; more on the personal and difficult aspects of the development of A chorus line; the relationship of her role in that show to her real life; the broader social and cultural influences of her role in that show; more on the creative process and development of the show; her role as assistant choreographer, dance captain, and re-stager of A chorus line; the impact of A chorus line on subsequent musical theater productions as well as on the performers who were in it; her career after A chorus line; choreographing for opera; her working process.
Cassette 3, 06/23/03 (ca. 15 min.). Lee speaks further about some of the topics regarding her childhood performing and training; changes in the field since she performed, particularly the current lack of mentoring and sense of community.
Subject Lee, Baayork.
Bennett, Michael, 1943 Apr. 8-1987.
School of American Ballet.
Fiorella H. La Guardia High School of Music and the Arts (New York, N.Y.)
Race awareness.
Asian Americans -- Ethnic identity.
Race discrimination.
Racism and the arts.
Local Subject Musical comedies. Mister President.
Musical comedies. The King and I.
Musical comedies. A chorus line.
Musical comedies. Flower drum song.
Musical comedies. Promises, promises.
Audiotapes -- Baayork, L.
Added Author Gennaro, Liza, Interviewer.
Donor/Sponsor Oral History Archive. Oral History Project.
Call No. *MGZTC 3-2384 sound cassettes
Research Call Number *MGZTC 3-2384 sound cassettes
*MGZMT 3-2384 transcript