Research Catalog

The pet of the ballet

Title
The pet of the ballet [graphic].
Author
Gallon, Robert S. E.
Publication
London : Rudolph Ackermann's Eclipse Sporting Gallery, 1843.

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2 Items

StatusFormatAccessCall NumberItem Location
Still imageSupervised use *MGZFB Gal R Pet 1Performing Arts Research Collections - Dance
Still imageSupervised use *MGZFB Gal R Pet 2Performing Arts Research Collections - Dance

Details

Description
2 prints : lithographs, hand-colored, col.; 44 x 30 cm., image 23 x 18 cm.
Summary
Two prints from a series of eight. No. 1 depicts a ballet dancer dressed in a pink bodice and white skirt with blue trim. No. 2 depicts a back view of the same dancer.
Subjects
Genre/Form
Lithographs.
Indexed In (note)
  • Chaffee, George, "The Romantic ballet in London: 1821-1858, some hitherto unremarked aspects," Dance index, vol. II, nos. 9-12, Sept.-Dec. 1943
Biography (note)
  • The Victoria & Albert Museum of London, which holds examples of prints from this series, identifies the lithographer as Robert S.E. Gallon. According to credits on New York Public Library's copy of print no. 6, he also painted the images. The Museum notes that the title of the series may have derived from an "operatic choreographic burlesque Sketch" produced in London in the 1840s, and suggests that the subjects may have been lesser lights of the ballet rather than principal dancers.
Call Number
*MGZFB Gal R Pet 1-2
OCLC
780304802
Author
Gallon, Robert S. E.
Title
The pet of the ballet [graphic].
Imprint
London : Rudolph Ackermann's Eclipse Sporting Gallery, 1843.
Indexed In:
Chaffee, George, "The Romantic ballet in London: 1821-1858, some hitherto unremarked aspects," Dance index, vol. II, nos. 9-12, Sept.-Dec. 1943, p. 191, cat. nos. 183-184.
Biography
The Victoria & Albert Museum of London, which holds examples of prints from this series, identifies the lithographer as Robert S.E. Gallon. According to credits on New York Public Library's copy of print no. 6, he also painted the images. The Museum notes that the title of the series may have derived from an "operatic choreographic burlesque Sketch" produced in London in the 1840s, and suggests that the subjects may have been lesser lights of the ballet rather than principal dancers.
Local Note
For another copy of print no. 2 and print no. 6 in the series, see: *MGZFX Gal R Pet 1-2
For another copy of print no. 2 and print no. 7 in the series, see: *MGZFX Gal R Pet 3-4
Cataloging funds provided by Friends of Jerome Robbins Dance Division.
Research Call Number
*MGZFB Gal R Pet 1-2
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