Research Catalog
Drapez-vous, mademoiselle, et partons ensemble
- Title
- Drapez-vous, mademoiselle, et partons ensemble [graphic] / Ch. Philipon ; Lith. de Mantoux et Cheyère.
- Author
- Philipon, Charles, 1800-1862.
- Publication
- [Paris] : Genty Editeur, [182-?]
Available Online
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Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | Still image | Supervised use | *MGZFD Phi C Dra 1 | Performing Arts Research Collections - Dance |
Details
- Description
- 1 print : lithograph, hand-colored; 26 x 25 cm.
- Summary
- Depiction of two fashionably dressed women taking a lesson from a dancing master, who plays a pochette.
- Alternative Title
- Encore des ridicules
- Subjects
- Genre/Form
- Lithographs.
- Note
- Signed on stone.
- Caption title.
- Series caption title: Encore des ridicules. No. 1015.
- Biography (note)
- The French caricaturist, lithographer, and publisher Charles Philipon created many political satires, and is perhaps best-known for his depiction of king Louis Philippe as a pear. The exaggerated facial features of the woman in the foreground of this print suggests a satirical intent. The Royal Academy of Music in London, however, holds a slightly different version, in which the same woman has a prettier face without lines or shadows; her lips are closed, and she wears a different headdress. The British Museum, which holds a different print in this series, No. 1018, dates it to ca. 1820.
- Call Number
- *MGZFD Phi C Dra 1
- OCLC
- 792750375
- Author
- Philipon, Charles, 1800-1862.
- Title
- Drapez-vous, mademoiselle, et partons ensemble [graphic] / Ch. Philipon ; Lith. de Mantoux et Cheyère.
- Imprint
- [Paris] : Genty Editeur, [182-?]
- Biography
- The French caricaturist, lithographer, and publisher Charles Philipon created many political satires, and is perhaps best-known for his depiction of king Louis Philippe as a pear. The exaggerated facial features of the woman in the foreground of this print suggests a satirical intent. The Royal Academy of Music in London, however, holds a slightly different version, in which the same woman has a prettier face without lines or shadows; her lips are closed, and she wears a different headdress. The British Museum, which holds a different print in this series, No. 1018, dates it to ca. 1820.
- Local Note
- Cataloging funds provided by Friends of Jerome Robbins Dance Division.This item may be offsite for digitization. For additional information please contact dance@nypl.org.
- Connect to:
- Local Subject
- Dancing masters.
- Added Title
- Encore des ridicules
- Research Call Number
- *MGZFD Phi C Dra 1