Research Catalog

Shazam.

Title
Shazam. Thangbi Mani, Day One: Chamjug, Rehearsal [Close shot] [electronic resource].
Publication
2005.

Available Online

NYPL Digital Collections

Details

Additional Authors
  • Core of Culture (Organization)
  • Core of Culture. dnr
Description
1 digital video file (ca. 10 min.) : digital, stereo., H.264 file.
Summary
A subjugation dance attributed to the first Namkhai Nyingpo. It commemorates the story from the life of Guru Rinpoche who subjugated the God of Wind - who had been creating much unhappiness and dissatisfaction amongst men. Having conquered the spirit, the Guru then rode his mount of a White Stag and gave blessings to people throughout the country, thus restoring peace and harmony to all. The dance thus subdues evil and creates benefits for all who witness it. Shazam: The Dance of the Four Stags is a re-enactment of an auspicious incident in the life of Guru Rinpoche, the great 8th Century sage who is credited with introducing Buddhism to Bhutan as he journeyed through the country to and from Tibet. Guru Rinpoche (Padmasambhava) is also known as the great subjugator of those local deities and spirits who resisted the spread of Buddhism, and, having subdued them to his will, he forced them to take an oath that henceforth they would become protectors of the Dharma, thus turning his one-time opponents into staunch allies of the faith. The Dance of the Four Stags refers to one such contest in which Guru Rinpoche subdued the King of the Wind, the ruler of the Earth-Spirits (sadag) who dominated the North-western direction and who had been causing much trouble and strife amongst the people of those times. Having subdued and conquered this powerful spirit Guru Rinpoche took possession of his mount, a great Stag, and rode around the land bestowing blessings upon the people and restoring a period of peace and prosperity for all. The dance of the Four Stags was revealed by the first incarnation of Nam Nying (Namkhai Nyingpo) who created the Stag masks as a way to commemorate this event. As well as being a subjugation dance having the effect of warding off evil influences in the place where it is performed, the dance is also seen as having the beneficial effect of restoring peace and harmony in the lives of those who witness its performance.
Uniform Title
Bhutan Dance Project, Core of Culture.
Alternative Title
Dance of the Four Stags. Thangbi Mani, Day One: Chamjug, Rehearsal [Close shot]
Subjects
Genre/Form
  • Dance.
  • Filmed dance.
  • Filmed performances.
  • Video.
Note
  • For wide shot version, see: *MGZIDF 724A.
  • There are only eight dancers who perform all the dances during the three days of the entire festival.
  • Thangbi Mewang is held for four days, from the 13th to the 16th days of the 8th Bhutanese month.
  • Thangbi Mani (Day One, Sept. 17, 2005 - Chamjug Rehearsal): Drel Cham - Wrathful Dance ; Zhauli Cham (Nyulemai Cham) - The Dance of the Evil Spirit ; Gonbo Bernag Ter Cham (Ging Cham) - Treasure Dance of the Black-Coated Mahakala ; Jin Sek - Fire Ritual ; Shazam - Dance of the Four Stags.
  • The Chamjug started in the evening - and took place almost entirely without any lights. We therefore didn't use lights to illuminate the arena - as this would have been invasive. The resulting picture quality was very low however, with the exception of some of the scenes during the Jin Sek - Ritual Fire Dance.
Access (note)
  • Open.
Event (note)
  • Videotaped in performance in the front courtyard of the Thangbi Lhakhang/Lhendrup Chhoeling Monastery (camera c - shoots at ground level diagonally across the courtyard), in Bumthang, on Sept. 17, 2005.
Source (note)
  • Core of Culture.
Biography (note)
  • The Thangbi festival held at Thangbi Lhakhang was founded in 1470 by the fourth Zhamarpa of the Karma Kagyu School of Tibetan Mahayana Buddhism. Located in the north of Choekkhor valley, it takes about 30 minutes walk from the road through the fields of buckwheat to reach the Temple. A small village festival held annually after the harvest of Potato and buckwheat to be thankful for the good harvest. It is also the time to celebrate and to pray that all sentient beings are blessed by invoking the deities through the ritual dances that are performed.
  • The fourth Zhamar Rinpoche of the Karmapa School came to Bumthang from Tibet in the 15th Century in order to establish a monastery and in 1470 he founded Thangbi Lhakhang, located in the middle of a wide fertile plateau overlooking the river. Following a quarrel with Pema Lingpa, Zhamar Rinpoche had to leave Thangbi. The iron curtain hanging in the entrance is said to have been forged by Pema Lingpa himself, who took over the monastery.
Call Number
*MGZIDF 724B
OCLC
835082893
Title
Shazam. Thangbi Mani, Day One: Chamjug, Rehearsal [Close shot] [electronic resource].
Imprint
2005.
Country of Producing Entity
Bhutan.
Series
Bhutan Dance Project, Core of Culture.
Access
Open.
Event
Videotaped in performance in the front courtyard of the Thangbi Lhakhang/Lhendrup Chhoeling Monastery (camera c - shoots at ground level diagonally across the courtyard), in Bumthang, on Sept. 17, 2005.
Biography
The Thangbi festival held at Thangbi Lhakhang was founded in 1470 by the fourth Zhamarpa of the Karma Kagyu School of Tibetan Mahayana Buddhism. Located in the north of Choekkhor valley, it takes about 30 minutes walk from the road through the fields of buckwheat to reach the Temple. A small village festival held annually after the harvest of Potato and buckwheat to be thankful for the good harvest. It is also the time to celebrate and to pray that all sentient beings are blessed by invoking the deities through the ritual dances that are performed.
The fourth Zhamar Rinpoche of the Karmapa School came to Bumthang from Tibet in the 15th Century in order to establish a monastery and in 1470 he founded Thangbi Lhakhang, located in the middle of a wide fertile plateau overlooking the river. Following a quarrel with Pema Lingpa, Zhamar Rinpoche had to leave Thangbi. The iron curtain hanging in the entrance is said to have been forged by Pema Lingpa himself, who took over the monastery.
Source
Gift; Core of Culture. NN-PD
Connect to:
NYPL Digital Collections
Local Subject
Ritual and ceremonial dancing -- Bhutan.
Mask dances -- Bhutan.
Added Author
Core of Culture (Organization)
Core of Culture. Donor
Research Call Number
*MGZIDF 724B
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