Research Catalog

Gyuan Drug Pawo.

Title
Gyuan Drug Pawo. Paro Tsechu, Day Three: Outside the Dzong [Close shot] [electronic resource].
Publication
2005.

Available Online

NYPL Digital Collections

Details

Additional Authors
  • Core of Culture (Organization)
  • Core of Culture. dnr
Description
1 digital video file (ca. 61 min.): digital, stereo., H.264 file.
Summary
There seem to be a range of different costumes put together in this large dance - some holding bells and hand-drums - others scarves etc. The last part of the dance sees the performers go through the crowd giving bessings.
Uniform Title
Bhutan Dance Project, Core of Culture.
Alternative Title
Dance of the Heroes with six kinds of ornaments. Paro Tsechu, Day Three: Outside the Dzong [Close shot]
Subjects
Genre/Form
  • Dance.
  • Filmed dance.
  • Filmed performances.
  • Video.
Note
  • For wide shot version, see: *MGZIDF 816A.
  • Paro Tshechu is held from the 11th to 15th day of the 2nd month of the Bhutanese calendar every year. Actually, the Tshechu begins with a chamjug or rehearsal day on the 10th day of the 2nd month, and ends on the 16th day of the 2nd month with a day s dances at Dzongdrakha monastery above Bondey.
  • Paro Tsechu Programme Day Three: (Outside the Dzong): Durdag - Lords of the Charnel Grounds ; Tum Ngam - Dance of the Terrifying Deities ; Gyuan Drug Pawo - Dance of the Heroes with six kinds of ornaments ; Kye Cham - Accompaniment Dance ; Pholey Moley - Dance of the Noblemen and the Ladies ; Shawa Shachi - Dance of the Stag and the Hounds (Part II) (NB: not all the dances were filmed on this day).
Access (note)
  • Open.
Event (note)
  • Videotaped in performance at the outer courtyard, Paro Dzong (looking across the outer courtyard at ground level), on Mar. 23, 2005.
Source (note)
  • Core of Culture.
Biography (note)
  • The annual Paro Tshechu is held from the 9th till the 15th of the 2nd month every year. It was first introduced by Gyalse Tenzin Rabgye in 1687, while the tshechu was initially held in the dzong, after the reconstruction in 1906 it was held outside. The highlight of the tshechu is the Thongdol which is believed to deliver from all sins. The Thongdol that was saved from the fire of 1906 was built by Lama Nawang Rabgay and is considered one of the oldest in Bhutan. It was slightly renovated by the government about twenty years ago. The material for the Thongdol was brought from Lhasa in Tibet.
  • The history of Ringpung Dzong (Palace of the heap of jewels) or Paro Dzong: The construction of the Paro Dzong began in 1644 on the order of Zhabdrung Ngawang Namgyal, the unifier of modern day Bhutan. Unlike most of the other dzongs in Bhutan, it survived the massive 1897 earthquake although it was damaged by fire in 1906.
Call Number
*MGZIDF 816B
OCLC
853458867
Title
Gyuan Drug Pawo. Paro Tsechu, Day Three: Outside the Dzong [Close shot] [electronic resource].
Imprint
2005.
Country of Producing Entity
Bhutan.
Series
Bhutan Dance Project, Core of Culture.
Access
Open.
Event
Videotaped in performance at the outer courtyard, Paro Dzong (looking across the outer courtyard at ground level), on Mar. 23, 2005.
Biography
The annual Paro Tshechu is held from the 9th till the 15th of the 2nd month every year. It was first introduced by Gyalse Tenzin Rabgye in 1687, while the tshechu was initially held in the dzong, after the reconstruction in 1906 it was held outside. The highlight of the tshechu is the Thongdol which is believed to deliver from all sins. The Thongdol that was saved from the fire of 1906 was built by Lama Nawang Rabgay and is considered one of the oldest in Bhutan. It was slightly renovated by the government about twenty years ago. The material for the Thongdol was brought from Lhasa in Tibet.
The history of Ringpung Dzong (Palace of the heap of jewels) or Paro Dzong: The construction of the Paro Dzong began in 1644 on the order of Zhabdrung Ngawang Namgyal, the unifier of modern day Bhutan. Unlike most of the other dzongs in Bhutan, it survived the massive 1897 earthquake although it was damaged by fire in 1906.
Source
Gift; Core of Culture. NN-PD
Connect to:
NYPL Digital Collections
Local Subject
Ritual and ceremonial dancing -- Bhutan.
Added Author
Core of Culture (Organization)
Core of Culture. Donor
Research Call Number
*MGZIDF 816B
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