Research Catalog

Sachak Namchak.

Title
Sachak Namchak. Ngangbi Rabney: Day Two [Wide shot] [electronic resource].
Publication
2006.

Available Online

NYPL Digital Collections

Details

Additional Authors
  • Core of Culture (Organization)
  • Core of Culture. dnr
Description
1 digital video file (12 min.): digital, stereo., H.264 file.
Summary
This Ground-breaking dance (which is a variant of the Shinjey Yab Yum) is considered to be a very sacred dance - dating back to the time of Lama Namkhai Samdrup, the founder of Ngang Lhakang. It is believed that the Lama himself carved the two Yak masks, since he wanted his Shinjey to be distinguished from other Bull-headed Shinjey dances. He then found two sets of horns, of exactly the right size and weight, on a local mountain-side (today known as Horn Mountain) and affixed them to the masks. They are considered to be treasures of the Lhakhang. Also particular to the Ngangbi version is the presence of a thurifer, an incense carrying monkey or small boy - who runs around at the very start of the dance, censes the arena - jumps a few times and then retires. The Bodhisatva Manjusiri (Jampelyang) represents the body of Wisdom of all the Buddhas. When he takes on the appearance of the terrifying Lord of Death, he is known as Shinjey (Shin is Death and Jey means Lord). As the Lord of Death he is considered to be the ruler of the Three Worlds, which are under his protection. His wrathful Bull or Buffalo face guards the four continents and blesses them before the arrival on Earth of the gods of Wisdom. Sheljor, The two consorts shake their heads as they pass each other. This movement is known as sheljor - bussing or face kissing - and it shows how close the two deities are to each other. Lopoen Phuntsho of Tamzhing thinks that this sheljor is only typically found in the Shinjey dance. Tenzing-la of Tamzhing thinks that it has the function of frightening the evil spirits. Lopoen Mindu of CMA says that it represents the wrathful aspect of the two Shinjey figures. The atsara are given a particular task at this festival - to feed the two fierce yaks with salt. Ifthey don t manage to feed them, then they will be fined by the festival committee. So the atsara here act rather like a timid bull-fighter - which has become part of the dance. The other difference in this version (called Sachak Namchak - which means to break open both the ground and the sky) is the appearance of a monkey at the start of dance with an incense burner or thurible. The incense is understood to be part of the ritual of purifying the ground. Both of these actions are indicative of the idea that the advance guard from the main deities are borrowing the ground from the local spirits for the duration of the Rabney Festival.
Uniform Title
Bhutan Dance Project, Core of Culture.
Alternative Title
  • Dance of the Lord of Death and his Consort (with Yak masks). Ngangbi Rabney: Day Two [Wide shot]
  • Shinjey Yab Yum
Subjects
Genre/Form
  • Dance.
  • Filmed dance.
  • Filmed performances.
  • Video.
Note
  • For close shot version, see: *MGZIDF 976B.
  • This is the second year that we have documented the Ngangbi dances (2005 & 2006). The courtyard has been improved, expanded and flattened so as to get rid of the very noticeable slope of previous times. The cameras are in much the same positions as before, but there is now more space for spectators. The arena was roped off. The documentation concentrated mainly on the Zhey dances and did not shoot many of the intermediate masked dances and boedra. A new lama has been appointed (the ex-Champoen at Trongsa Dzong) and he introduced for the first time an external dance - a five-man version of Zhanag (with masks) using monks from Chakar. This, too, was not recorded - though the execution was good.
  • Ngangbi Rabney/Ngangbi Ramnyen, Day Two: Dec. 5, 2006: Beh - Martial Dances in front of the Deities temporarily installed for the festival ; Sachak Namchak (Shinjey with Yak masks) a special version of the ground-breaking dance using the very sacred Yak-headed masks carved by Namkha Samdrup ; Zhey, Pt. 1 first part of the long dance performed by the local Zheypa group ; Zhanag Cham - Black Hat dance performed by local dancers ; Zhey, Pt. 2 Second part and continuation of the Zhey dance ; Tshog Cham - Offering Dance ; Zhey, Pt. 3 continuation of the dance by the Zheypa ; Namkhai Samdrup Ngacham - The Drum Dance of Lama Namkha Samdrup ; Zhey, Pt. 4 - final section of the Zhey dances for the day it develops into the final exit procession of the relics back to the temple.
Access (note)
  • Open.
Event (note)
  • Videotaped in performance at the Ngangbi Lhakhang, in Bumthang, Bhutan (first floor of the Lhakhang - looking back across the same diagonal as camera C), on Dec. 5, 2006.
Source (note)
  • Core of Culture.
Biography (note)
  • The Nganbi Ramnyen is a remarkably well-run and well preserved festival which is organised amongst 8 different villages in the Chhoekhor vallery. The Festival takes place at the Ngangbi Lhkakhang which is next door to the Noble house presided over by descendants of Lam Namkha Samdrup. The set of Zhey (Nobleman Families) dances is a remarkable survival from the time of the Zhabdrung and this variant is particular to the place. The dating of the festival is not fixed to a particular month or date but depends upon the timing of an astronomical event - as is also true at Namkha Lhakang (just over the hill from Nganbi) another temple established by Namkha Samdrup. Other particular parts to the festival include: The reading of the Tam (Jambay Lekshey) to representatives of each household - a set of dos and don ts for the participants in the festival (Do be courteous to others during the festival; Don t get drunk and fight during the festival; Don t put a big penis in a small vagina! etc. ) An evening meal for the Zhey and other participants in the festival in which ancestral food which includes cooked cow hide is served to all. The Hung Hung La dance is the last item on the festival list, and takes place throughout the evening of the last day. The Gathpo, Ganmo and Botsa atsaras go around all the local houses, giving auspicious blessings and cracking lewd jokes until dawn the next day.
  • Ngangbi Ramnyen is held for three days from the 15th to the 17th days of the 10th Bhutanese month. A Chamjug or rehearsal day is held the day before. This information is generally correct, however, the timing of this particular tsechu is moved to coincide with a precise astronomical event, hence the dates may move either forwards or backwards.
Call Number
*MGZIDF 976A
OCLC
857420267
Title
Sachak Namchak. Ngangbi Rabney: Day Two [Wide shot] [electronic resource].
Imprint
2006.
Country of Producing Entity
Bhutan.
Series
Bhutan Dance Project, Core of Culture.
Access
Open.
Event
Videotaped in performance at the Ngangbi Lhakhang, in Bumthang, Bhutan (first floor of the Lhakhang - looking back across the same diagonal as camera C), on Dec. 5, 2006.
Biography
The Nganbi Ramnyen is a remarkably well-run and well preserved festival which is organised amongst 8 different villages in the Chhoekhor vallery. The Festival takes place at the Ngangbi Lhkakhang which is next door to the Noble house presided over by descendants of Lam Namkha Samdrup. The set of Zhey (Nobleman Families) dances is a remarkable survival from the time of the Zhabdrung and this variant is particular to the place. The dating of the festival is not fixed to a particular month or date but depends upon the timing of an astronomical event - as is also true at Namkha Lhakang (just over the hill from Nganbi) another temple established by Namkha Samdrup. Other particular parts to the festival include: The reading of the Tam (Jambay Lekshey) to representatives of each household - a set of dos and don ts for the participants in the festival (Do be courteous to others during the festival; Don t get drunk and fight during the festival; Don t put a big penis in a small vagina! etc. ) An evening meal for the Zhey and other participants in the festival in which ancestral food which includes cooked cow hide is served to all. The Hung Hung La dance is the last item on the festival list, and takes place throughout the evening of the last day. The Gathpo, Ganmo and Botsa atsaras go around all the local houses, giving auspicious blessings and cracking lewd jokes until dawn the next day.
Ngangbi Ramnyen is held for three days from the 15th to the 17th days of the 10th Bhutanese month. A Chamjug or rehearsal day is held the day before. This information is generally correct, however, the timing of this particular tsechu is moved to coincide with a precise astronomical event, hence the dates may move either forwards or backwards.
Source
Gift; Core of Culture. NN-PD
Connect to:
NYPL Digital Collections
Local Subject
Ritual and ceremonial dancing -- Bhutan.
Mask dances -- Bhutan.
Animal dances -- Bhutan.
Added Author
Core of Culture (Organization)
Core of Culture. Donor
Research Call Number
*MGZIDF 976A
View in Legacy Catalog