Research Catalog
The Oxford handbook of music and virtuality
- Title
- The Oxford handbook of music and virtuality / edited by Sheila Whiteley and Shara Rambarran.
- Publication
- New York, NY : Oxford University Press, [2016]
- ©2016
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1 Item
Status | Format | Access | Call Number | Item Location |
---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person. | Text | Use in library | *LE 16-1998 | Performing Arts Research Collections - Recorded Sound |
Details
- Additional Authors
- Description
- xxxii, 679 pages : illustrations, music; 26 cm
- Series Statement
- [Oxford handbooks]
- Uniform Title
- Oxford handbooks.
- Alternative Title
- Handbook of music and virtuality
- Music and virtuality
- Subjects
- Note
- Series statement from dust jacket.
- Bibliography (note)
- Includes bibliographical references and index.
- Contents
- PART 1 The Pre-Digital Virtual -- "Seventeenth Heaven": Virtual Listening and its Discontents / Christian Lloyd -- "Nothing is Real": The Beatles as Virtual Performers / Philip Auslander and Ian Inglis -- Tom, Jerry and the Virtual Virtuoso / Sheila Whiteley -- Bring that Beat Back: Sampling as Virtual Collaboration / Rowan Oliver -- An Analysis of Virtuality in the Creation and Reception of the Music of Frank Zappa / Paul Carr -- PART 2 Vocaloids, Holograms and Virtual Pop Stars -- Vocaloids and Japanese Virtual Vocal Performance: The Cultural Heritage and Technological Futures of Vocal Puppetry / Louise H. Jackson and Mike Dines -- Hatsune Miku and Japanese Virtual Idols /Rafal Zaborowski -- Hatsune Miku, 2.0Pac and Beyond: Rewinding and Fast-Forwarding the Virtual Pop Star / Thomas Conner -- "Feel Good" with Gorillaz and "Reject False Icons": The Fantasy Worlds of the Virtual Group and their Creators / Shara Rambarran -- PART 3 Second Life -- Avatar Rockstars: Constructing Musical Personae in Virtual Worlds / Trevor S. Harvey -- Performing Live in Second Life / Justin Gagen and Nicholas Cook -- Live Opera Performance in Second Life: Challenging Producers, Performers and the Audience / Marco Antonio Chávez-Aguayo -- PART 4 Authorship, Creativity and Musicianship -- We Are, The Colors: Collaborative Narration and the Experimental Construction of a Non-Existent Band / Alon Ilsar and Charles Fairchild -- Music in Perpetual Beta: Composition, Remediation, and "Closure" / Paul Draper and Frank Millward -- Justin Bieber Featuring Slipknot: Consumption as Mode of Production / Ragnhild Brøvig-Hanssen -- Human After All: Understanding Negotiations of Artistic Identity through the Music of Daft Punk / Cora S. Palfy -- Virtual Bands: Recording Music Under the Big Top / David Tough -- PART 5 Communities and the World-Wide-Web -- "Uploading" to Carnegie Hall: The First YouTube Symphony Orchestra / Shzr Ee Tan -- The Listener as Remixer: Mix Stems in Online Fan Community and Competition Contexts / Samantha Bennett -- Sample Sharing: Virtual Laptop Ensemble Communities / Benjamin O'Brien -- Stone Tapes: Ghost Box, Nostalgia, and Post-War England / David Pattie -- From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory / Adam Trainer -- Bands in Virtual Spaces, Social Networking and Masculinity / Danijela Bogdanovic -- PART 6 Sonic Environments and Musical Experience -- From Environmental Sound to Virtual Environment Enhancing: Consuming Ambiance as Listening Practice / Thomas Brett -- App Music / Jeremy Wade Morris -- Alternative Virtuality: Independent Micro Labels Facing the Ideological Challenge of Virtual Music Culture: The Case of Finnish Ektro Records / Juho Kaitajärvi-Tiekso -- Everybody Knows There is Here: Surveying the Indexi-Local in CBC Radio 3 / Michael Audette-Longo -- Mind Usurps Program: Virtuality and the "New Machine Aesthetic" of Electronic Dance Music / Benjamin Halligan -- PART 7 Participatory Culture and Fundraising -- Virtual Music, Virtual Money: The Impact of Crowdfunding Models on Creativity, Authorship and Identity / Mark Thorley -- With a Little Help from My Friends, Family and Fans: DIY, Participatory Culture and Social Capital in Music Crowdfunding / Francesco D'Amato -- Music and Crowdfunded Websites: Digital Patronage and Artist-Fan Interactivity / Justin Williams and Ross Wilson -- PART 8 Authors' Blog: Final Thoughts on Music and Virtuality / Edited by Paul Carr -- PART 9 Glossary / Edited by Shara Rambarran -- Index.
- Call Number
- *LE 16-1998
- ISBN
- 9780199321285
- 0199321280
- LCCN
- 2015022089
- OCLC
- 910993819
- Title
- The Oxford handbook of music and virtuality / edited by Sheila Whiteley and Shara Rambarran.
- Publisher
- New York, NY : Oxford University Press, [2016]
- Copyright Date
- ©2016
- Type of Content
- text
- Type of Medium
- unmediated
- Type of Carrier
- volume
- Series
- [Oxford handbooks]Oxford handbooks.
- Bibliography
- Includes bibliographical references and index.
- Added Author
- Whiteley, Sheila, 1941-2015, editor.Rambarran, Shara, editor.
- Research Call Number
- *LE 16-1998