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  • Ellen's song. The words from The lady of the lake; with an accompaniment for the harp or piano forte.

    • Notated music
    • London, G. Walker [181-?]
    • 1810-1819
    • 1 Item
    FormatCall NumberItem Location
    Notated music Music (Sheet) 72-167Performing Arts Research Collections - Music
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  • Three songs from the Romany King of Wembworthy : to the accompaniment of a Jew's harp and bones / Denis Goacher.

    • Text
    • Knotting, Bedfordshire : Sceptre Press, c1976.
    • 1976
    • 1 Item
    FormatCall NumberItem Location
    Text *KP (Sceptre) 89-332Schwarzman Building - Rare Book Collection Room 328
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    Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person.

  • Four songs for voice, flute, harp and guitar / Igor Stravinsky.

    • Notated music
    • London : J. & W. Chester/Edition Wilhelm Hansen, ©1955.
    • 1955
    • 1 Item
    FormatCall NumberItem Location
    Notated music JMF 17-23Performing Arts Research Collections - Music

    Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person.

  • Songs & cantatas : for solo voice with piano, harpsichord or harp accompaniment and optional scorings for flute or guitar / James Hook ; edited and arranged by David J. Rhodes.

    • Notated music
    • Girvan : Piper Publications, c2000.
    • 2000
    • 1 Item
    FormatCall NumberItem Location
    Notated music 75.1 H763 A31Off-site
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  • O tuneful voice : 25 classical English songs with accompaniments for piano, harpsichord, or harp / edited by Timothy Roberts.

    • Notated music
    • Oxford [England] : New York : Oxford University Press, c1992.
    • 1992
    • 1 Item
    FormatCall NumberItem Location
    Notated music JMG 93-946Offsite
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  • Four songs to the poems of Thomas Campion : for mezzo-soprano accompanied by clarinet, viola & harp / Virgil Thomson.

    • Notated music
    • New York : Southern, [1953], ©1953.
    • 1953-1953
    • 1 Item
    FormatCall NumberItem Location
    Notated music 75.5 T387 So5Off-site
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  • O tuneful voice : 25 classical English songs with accompaniments for piano, harpsichord, or harp / edited by Timothy Roberts.

    • Notated music
    • Oxford ; New York : Oxford University Press, [1992], ©1992.
    • 1992-1992
    • 1 Item
    FormatCall NumberItem Location
    Notated music 75.1 A2 O11Off-site
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  • Nine Scots Songs and three Duetts, newly arranged with a Harp or Piano Forte accompaniment by P.A. Corri. Some of the words ... by Mr. Rannie.

    • Notated music
    • London : L. Lavenu, [1812?]
    • 1812
    • 1 Item
    FormatCall NumberItem Location
    Notated music *ZB-119 11 titlesOffsite
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  • The Harp of Renfrewshire, 2d series: a collection of songs and other poetical pieces, (many of which are original), accompanied with notes, explanatory, critical, and biographical.

    • Text
    • Paisley, A. Gardner, 1873.
    • 1873
    • 2 Items

    Available Online

    http://nrs.harvard.edu/urn-3:HUL.FIG:003088192
    FormatCall NumberItem Location
    Text 11423.15.102Off-site
    FormatCall NumberItem Location
    Text 11423.15.102Off-site

  • The Harp of Renfrewshire: a collection of songs and other poetical pieces (many of which are original) accompanied with notes, explanatory, critical, and biographical, and a short essay on the poets of Renfrewshire. Originally published in 1819.

    • Text
    • Paisley, A. Gardner; Glasgow, D. Robertson; [etc., etc.] 1872.
    • 1872-1819
    • 2 Items

    Available Online

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    FormatCall NumberItem Location
    Text NDP (Harp of Renfrewshire) v. 2Schwarzman Building M2 - General Research Room 315
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    FormatCall NumberItem Location
    Text NDP (Harp of Renfrewshire) v. 1Schwarzman Building M2 - General Research Room 315
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  • The Harp of Renfrewshire, 2nd series: a collection of songs and other poetical pieces, (many of which are original), accompanied with notes, explanatory, critical, and biographical.

    • Text
    • Paisley, A. Gardner, 1873.
    • 1873
    • 1 Item
    FormatCall NumberItem Location
    Text NDP (Harp of Renfrewshire, 2nd ser.)Schwarzman Building - Main Reading Room 315

    Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person.

  • The Harp of Renfrewshire: a collection of songs and other poetical pieces (many of which are original) accompanied with notes, explanatory, critical, and biographical, and a short essay on the poets of Renfrewshire. Originally published in 1819.

    • Text
    • Paisley, A. Gardner; Glasgow, D. Robertson; [etc., etc.] 1872.
    • 1872-1819
    • 1 Item

    Available Online

    http://nrs.harvard.edu/urn-3:HUL.FIG:003073559
    FormatCall NumberItem Location
    Text 11423.15.100Off-site

  • Waters of Ellé : song from Glenarvon / with symphonies, and an accompaniment for the harp or piano forte, by G. Kiallmark.

    • Notated music
    • London : Printed & sold by Chappell & Co., Music & Musical Instrument Sellers, 50 New Bond Street, and by Goulding & Co., 20 Soho Square, [1824?]
    • 1824
    • 1 Item
    FormatCall NumberItem Location
    Notated music Pforz (FF. Music. Kiallmark, G. Waters of Elle)Schwarzman Building - Pforzheimer Collection Room 319

    Available - Can be used on site. Please visit New York Public Library - Schwarzman Building to submit a request in person.

  • Theatre, Oxford. Grand selection. Wednesday, July 3 [electronic resource] : Act I. Double Orchestra overture. Bach. Song. Mr. Bartleman. "mirth admit me of thy Crew." Handel. Accompanied on the Horn by Mr. Leander. First Concerto. Corelli. Song. Sig. Bruni. "fa che baleni ancora, &c." Duetto, Violin and Violoncello, Mr. Cramer and Mr. Lindley. Song. Mrs. Billington. "torni la pace, &c." Mazzinghi. With a Violin Obligato, by Mr. Cramer. Concerto, Flute, Mr. Monzani. Monzani. Air and Chorus. Mrs. Billington. "tyrants would in impious Throngs." Handel. Act II. Overture, Samson. Handel. Scena. Miss Poole. "sacri numi del cielo, &c." Cimarosa. Concerto, Grand Pedal Harp, Madam Krumpholtz. Song. Sig. Bruni. "da quel labbro, &c." Cimarosa. Duetto, Mrs. Second and Mr. Webb. Iomelli. "sweet is the Breath of Morn." Milton. Concerto, Alto Viola. Mr. Hindmarsh. Song. Mrs. Billington. "let the bright Seraphims, &c." Handel. Accompanied on the Trumpet by Mr. Hyde. Grand Chorus. "let their celestial Concerts, &c." The Doors to be opened at Four, and to begin at Five O'Clock. Tickets, Seven Shillings each, may be had at Mr. Jackson's, Printer, High Street, at Jung's and Hardy's Musick Shops, of Mr. Modge and Sindry, Silversmiths, Mr. Herbert, Grocer, at Goodwin's Coffee House, and at the principal Inns.

    • Text
    • [Oxford : printed by William Jackson?, 1793?]
    • 1793
    • 1 Resource

    Available Online

    http://find.galegroup.com/ecco/infomark.do?contentSet=ECCOArticles&docType=ECCOArticles&bookId=0474101900&type=getFullCitation&tabID=T001&prodId=ECCO&docLevel=TEXT_GRAPHICS&version=1.0&source=library&userGroupName=nypl

  • Clàrsach a' ghlinne : coig òrain air fhichead le'm fuinn / agus teud-cheol simplidh le Seònaid Given = The harp of the glen : twenty-five Gaelic songs / arranged with simple accompaniments by Jennie Given.

    • Notated music
    • Glasgow : A. MacLaren, [1925], ©1925.
    • 1925-1925
    • 1 Item
    FormatCall NumberItem Location
    Notated music 74 AM222 COff-site
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  • By authority of the Lord chamberlain, Lyceum, Strand. [electronic resource] : Every Monday, Tuesday, Thursday, and Saturday Evening, during Lent only, Will be presented, (in Three Parts,) Mr. Reeve's new entertainment, with additions, called, Mirth's Museum, or The Country Club: Consisting of Introductory readings and recitals, With original songs. The music, entirely New, by Mr. Reeve. The recitals by Mr. J. Wewitzer: Vocal Parts by Mr. Gray, Mr. Masters, Mrs. Iliff, and Mrs. Reeve. In Part I. will be introduced, among others, the following Subjects: Exordium-Humanity-a Tar's Gratitude-Charity-a Seaman's Preface to heaving off a Stave-Hibernian Remarks on Bull-Making, &c. &c. - and the following new songs: Exordium Ingratitude, or the Captive The Lavender Girl The Vestry Dinner Messmates at Sea, and The Antiquity of Bulls, or Paddy's Origin Bonny Wully End of Part I. the Celebrated overture to Oscar and Malvina, In which Mr. Courtenay will perform on The Union Pipes, Accompanied on the Harp by Mr. Wieppart. Part II. A Digression-Theatrical Hint-Matrimonial Congratulations-Extraneous Conversation-Introduction of a Market Girl-Bacchanalian Apology, &c. and the following new songs: Knowing Joe, and the Shew-Folk Goddess of the Silver Stream The Pedlar The Market Lass and The Huntsman's Rhapsody End of the Second, and in the Course of the Third Part. Several favourite Airs by Messrs. Courtenay & Wieppart. Part III. Digressive Hints on Love and Affection-Nautic Friendship-Loyalty, &c. &c. and the following new songs: My Journey is Love I never will Marry Ben Block, or the Sailor's Friend The Knife Grinder Finale, Song, and Chorus May Loyalty Flourish for ever Boxes, 4s. - Pit, 2s. 6d. - Gallery, 1s. 6d. The Doors to be opened at Half past Six O'Clock, and the Performance to begin at Half past Seven, precisely. Places for the Boxes to be taken at the Lyceum, every Day. - Mr. Lingham, the Proprietor, begs Leave to assure the Public, that the Lyceum is elegantly fitted up for their Reception, with New Decorations, &c. &c. and, studious to please, every Endeavour will be exerted on his Part to merit Patronage and Support - Books of the songs to be had at the Lyceum.

    • Text
    • [London] : Printed by E. Spragg, No.4, Great Wild-Street, Lincoln's-Inn-Fields, [1794?]
    • 1794
    • 1 Resource

    Available Online

    http://find.galegroup.com/ecco/infomark.do?contentSet=ECCOArticles&docType=ECCOArticles&bookId=0474102400&type=getFullCitation&tabID=T001&prodId=ECCO&docLevel=TEXT_GRAPHICS&version=1.0&source=library&userGroupName=nypl

  • By command of the King of Kings, [electronic resource] : (a) and at the desire of all who love his appearing, (b) at the Theatre of the universe, (c) on the eve of time, (d) will be performed, The great assize, or day of judgment. (e) The Scenery, which is now actually preparing, will not only surpass every Thing that has yet been seen, but will infinitely exceed the utmost Stretch of human Conception (f). There will be a just Representation of all the Inhabitants of the World, in their various and proper Colours; and their Customs and Manners will be so exactly and so minutely delineated, that the most secret Thought will be discovered (g). For God shall bring every Work into Judgment, with every secret Thing, whether it be Good, or whether it be evil. Eccles. xii. This Theatre will be laid out after a new Plan, and will consist of Pit and Gallery only; and, contrary to all others, the Gallery is fitted up for the Reception of the People of high (or heavenly) Birth (h), and the Pit for those of low (or earthly) Rank (i). - N. B. The Gallery is very spacious (k), and the Pit without Bottom (l). To prevent Inconvenience, there are separate Doors for admitting the Company; and they are so different, that none can mistake that are not wilfully blind. The Door which opens into the Gallery is very narrow, and the Steps up to it are somewhat difficult; for which Reason there are seldom many People about it (m). But the Door that gives Entrance into the Pit is very wide, and very commodious; which causes such Numbers to flock to it, that it is generally crowded (n). - N. B. The strait Door leads towards the Right-Hand, and the broad one to the Left (o). It will be in vain for one in a tinsel'd Coat and borrowed Language to personate one of high Birth, in order to get Admittance into the upper Places (p); for there is One of wonderful and deep Penetration, who will search and examine every individual (q); and all who cannot pronounce Shibboleth (r) in the Language of Canaan (s), or has not received a white Stone and new Name (l), or cannot prove a clear Title to a certain Portion of the Land of Promise (u), must be turned in at the left Door (w). The Principal Performers Are described in 1 Thess. iv. 16. - 2 Thess. i. 7, 8, 9. - Matt. xxiv. 30, 31. - xxv. 31, 32. - Daniel vii, 9, 10. - Jude 14. 15. - Rev. xx. 12 to 15, &c. But as there are some People much better acquainted with the Contents of a Play-Bill than the Word of God, it may not be amiss to transcribe a Verse or two for their Perusal. "the Lord Jesus shall be revealed from Heaven with his mighty Angels, in flaming Fire, taking Vengeance on them that obey not the Gospel," but "to be glorified in his Saints. A fiery Stream issued and came forth from before him: A thousand thousands ministred unto him, and ten thousand Times ten thousand stood before him: The Judgment was set, and the Books were opened; and whosoever was not found written in the Book of Life was cast into the Lake of Fire." Act First of this Grand and Solemn Piece Will be opened by an Arch-Angel, with the Trump of God (x). For the Trumpet shall sound, and the Dead shall be raised. 1 Cor. xv. 52. Act Second Will be a Procession of Saints in White (y), with Golden Harps, accompanied with Shouts of Joy, and Songs of Praise (z). Act Third Will be an Assemblage of all the Unregenerate (a). The Music will consist chiefly of Cries (b), accompanied with Weeping, Wailing, Mourning, Lamentation, and Woe (c). To conclude with an Oration by the Son of God. It is written in the 25th of Matthew, from the 34th Verse to the End of the Chapter; but for the Sake of those who seldom read the Scriptures, I shall here transcribe two Verses: "then shall the King say to them on his Right-Hand, Come ye blessed of my Father, inherit the Kingdom prepared for you from the Foundation of the World: Then shall he say also unto them on the Left-Hand, Depart from me, ye cursed, into everlasting Fire, prepared for the Devil and his Angels." After which the Curtain will drop, Then, O to tell! John v. 28, 29. - - Some raised on high, and others dom'd to Hell! Rev. v. 8, 9. - xiv. 3, 4. - - These praise the Lamb, and sing redeeming Love, Luke xvi. 22, 23. - - Lodg'd in his Bosom, all his Goodness prove:-xix. 14, 27. - - While those who trumpled under-foot his Grace Matt. xxv. 30. - 2 Thess. i. 9. - Are banish'd now for ever from his Face; Luke xvi. 26. - - Divided thus, a Gulph is fix'd between, Matt. xxv. 46. - - And (everlasting) closes up the Scene. Thus will I do unto thee, O Israel; and because I will do this unto thee, prepare to meet thy God, O Israel. Amos iv. 12. Tickets for the Pit, at the easy Purchase of following the vain Pomps and Vanities of the fashionable World, and the Desires and Amusements of the Flesh (d): To be had at every Flesh-Pleasing Assembly. If ye live after the Flesh ye shall die. Rom. viii. 13. Tickets for the Gallery at no less Rate than being converted (e), Forsaking all (f). Denying Self, taking up the Cross (g) and following Christ in the Regeneration (h): To be had no where but in the Word of God, and where that Word appoints. He that hath Ears to hear let him hear. And be not deceived: God is not mocked. For whatsoever a Man soweth, that shall he also reap. - Matt. xi. 15. - Gal. vi. 7. N. B. No Money will be taken at the Door (i), nor will any Tickets give Admittance into the Gallery, but those sealed by the Holy Ghost (k), with Immanuel's Signet (l). Watch therefore; be ye also ready; for in such an Hour as ye think not, the Son of Man cometh. Matt. xxiv. 42, 44.

    • Text
    • London : printed for W. Hales, Stationer, No. 127, opposite Mincing-Lane, Fenchurch Street, [1774]
    • 1774
    • 1 Resource

    Available Online

    http://find.galegroup.com/ecco/infomark.do?contentSet=ECCOArticles&docType=ECCOArticles&bookId=1055100100&type=getFullCitation&tabID=T001&prodId=ECCO&docLevel=TEXT_GRAPHICS&version=1.0&source=library&userGroupName=nypl

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