Research Catalog

Interview with Simone Forti

Title
Interview with Simone Forti [sound recording]
Author
Forti, Simone.
Publication
1994.

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5 Items

StatusVol/DateFormatAccessCall NumberItem Location
AudioSupervised use *MGZMT 3-1844 [transcript]Performing Arts Research Collections - Dance
cassette 1AudioUse in library *MGZTC 3-1844 cassette 1Performing Arts Research Collections - Dance
cassette 2AudioUse in library *MGZTC 3-1844 cassette 2Performing Arts Research Collections - Dance
cassette 3AudioUse in library *MGZTC 3-1844 cassette 3Performing Arts Research Collections - Dance
cassette 4AudioUse in library *MGZTC 3-1844 cassette 4Performing Arts Research Collections - Dance

Details

Additional Authors
  • Sunshine, Louise
  • DHCA
Description
4 sound cassettes (4 hr., 40 min.) +
Summary
  • Cassette 1. Recorded May 8, 1994. Ms. Forti discusses her family background and her starting to dance because of flat feet; studying modern dance in high school; her early explorations of improvisation; seeing experimental films at the Cocteau Theatre in Los Angeles; her interest in biology and fine arts; folk dance and folk singing; artist Robert Morris; studying with Welland Lathrop and Anna Halprin; A.A. Leath; teaching children; improvisational structures explored with Halprin; dancer John Graham and voice exercises from theater; defining improvisation; analysis of her own early improvisational process and her ideas about dance and painting.
  • Cassette 2. Ms. Forti discusses her break from Halprin; moving to New York and taking Graham classes; exploring composition; classes in Cunningham technique; Robert Dunn's composition classes; Steve Paxton; Yvonne Rainer; Trisha Brown; Lucinda Childs; her interest in process-oriented work; nature; her choreography Huddle; the influence of Bob Morris; her creative process; her choreographies Slant board and Hangars (1961); La Monte Young; her choreography See-Saw (1960); the personal and artistic influence of filmmaker Robert Whitman; her choreography Fallers (1968); the nine evening programs of Experiments in art and technology; and performing in front of her family.
  • Cassette 3. Recorded June 27, 1994. Ms. Forti discusses Halprin and the influence of her aesthetics and kinesthetic awareness; improvisation as performance; different approaches to improvisation; the audience's role in improvisation; balancing internal and external awareness in performance; dance narratives or what she calls Animations [see: News animations]; Lauri Nagel; K.J. Holmes; and David Zambrano.
  • Cassette 4. Recorded June 27, 1994. Ms. Forti describes a piece she did with David Zambrano, which was inspired by the Vermont woods.
Alternative Title
  • Dance Audio Archive.
  • Dance Oral History Project.
Subjects
Note
  • Interviewed by Louise Sunshine at Ms. Forti's studio in New York City. A subsequent interview, conducted by K.J. Holmes on February 13, 2018, can be found in the Library's catalog under the title: Interview with Simone Forti, 2018 (transcript: *MGZMT 3-3467).
  • For transcript, see *MGZMT 3-1844.
Access (note)
  • Transcripts may not be photographed or reproduced without permission.
Call Number
*MGZMT 3-1844 [transcript]
OCLC
NYPY96-R8
Author
Forti, Simone. Interviewee
Title
Interview with Simone Forti [sound recording]
Imprint
1994.
Local Note
Preservation master cassette in: *MGZTCO 3-1844.
Archival transcript in: *MGZMTO 3-1844.
Restricted Access
Transcripts may not be photographed or reproduced without permission.
Added Author
Sunshine, Louise, interviewer.
DHCA
Research Call Number
*MGZMT 3-1844 [transcript]
*MGZTC 3-1844 [sound cassettes]
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