Research Catalog

Interview with Maxine Glorsky

Title
Interview with Maxine Glorsky [sound recording].
Author
Glorsky, Maxine.
Publication
2001.

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4 Items

StatusVol/DateFormatAccessCall NumberItem Location
TranscriptAudioSupervised use *MGZMT 3-2336 TranscriptPerforming Arts Research Collections - Dance
Cassette 1AudioUse in library *MGZTC 3-2336 Cassette 1Performing Arts Research Collections - Dance
Cassette 2AudioUse in library *MGZTC 3-2336 Cassette 2Performing Arts Research Collections - Dance
Cassette 3AudioUse in library *MGZTC 3-2336 Cassette 3Performing Arts Research Collections - Dance

Details

Additional Authors
Dunning, Jennifer.
Description
3 sound cassettes (ca. 192 min.) +
Summary
  • Cassette 1 (ca. 55 min.). August 31, 2001. [Sound quality poor] Ms. Glorsky describes how she became interested in working backstage; her family; studying ballet with Mildred Hoffman; her experiences at Jacob's Pillow and her memories of Ted Shawn and Ruth St. Denis; working with John Christian; how her training as a dancer helped her as a stage manager; the influences of the many different artists with whom she has worked; the work of a stage manager; her first professional job stage managing at Jacob's Pillow with the Ximénez-Vargas Ballet Espagnol; Her impressions of Maria Alba; her early years in New York City.
  • Cassette 2 (ca. 67 min). [Sound quality poor] Her first impressions of Martha Graham and the Graham school; working at the Clark Center [interview pauses and resumes on 9/1/01] sketching and drafting plans for the stage; performances at the Delacorte Theater; the changing creative dynamic between choreographers and designers; her development of and involvement with the Technical Assistance Group Foundation; the organisation's goals, personnel and its eventual demise; the stage manager's primary relationship with the lighting designer; lighting designers that have influencedher including Nichola Cernovitch, Jean Rosenthal and Gilbert Hemsley.
  • Cassette 3 (ca. 70 min.) 09/29/01 [Sound quality good] The role of the stage manager within the production as a whole; her general impressions of the dancers and choreographers she has come to know through her work; stage managing different styles and genres of dance; particular artists with whom she has worked closely including Glen Tetley, Maria Alba, Lar Lubovitch, Martha Graham, Alvin Ailey, Mikhail Baryshnikov (also compares his personality to Rudolph Nureyev's), Merce Cunningham, Agnes De Mille, Lucia Chase, Bob Fosse; personal qualities necessary in a good stage manager; issues in teaching and learning stage managing.
Donor/Sponsor
National Endowment for the Arts, 2001-2002.
Alternative Title
  • Dance Audio Archive.
  • Dance Oral History Project.
Subjects
Note
  • Interview conducted by Jennifer Dunning, Aug. - Sept. 2001 [New York City]
  • For transcript see: *MGZMT 3-2336.
  • Sound quality of cassettes no. 1 and no. 2 is poor. Each of cassettes no. 1 and no. 2 includes blank tape at the beginning and end of the recording. Sound quality of cassette no. 3 is good.
Access (note)
  • Transcripts may not be photographed or reproduced without permission.
Funding (note)
  • Preservation was made possible in part with public funds from the National Endowment for the Arts, 2001-2002.
Call Number
*MGZMT 3-2336
OCLC
NYPY02-R34
Author
Glorsky, Maxine. Interviewee
Title
Interview with Maxine Glorsky [sound recording].
Imprint
2001.
Funding
Preservation was made possible in part with public funds from the National Endowment for the Arts, 2001-2002.
Restricted Access
Transcripts may not be photographed or reproduced without permission.
Connect to:
NYPL Digital Collections
Local Subject
Audiotapes -- Glorsky, M.
Added Author
Dunning, Jennifer. Interviewer
Research Call Number
*MGZMT 3-2336 [Transcript]
*MGZTC 3-2336 (sound cassettes)
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