Research Catalog

Title

No space hidden : the spirit of African American yard work / Grey Gundaker, Judith McWillie.

Author

Gundaker, Grey.

Publication

Knoxville : The University of Tennessee Press, c2005.

Items in the Library & Off-site

Details

Additional Authors

McWillie, Judith.

Description

xviii, 237 p. : ill. (some col.); 26 cm.

Summary

• Dating from their earliest habitation in North America, people of African descent have used visual and material means to express their ethical values and their beliefs about the intersecting worlds of matter and spirit. In No Space Hidden, Grey Gundaker and Judith McWillie combine oral testimony, firsthand documentation of sites and artworks, insightful analysis, and over two hundred photographs to explore African American devotional arts centered in homes and domestic landscapes. Focusing primarily, though not exclusively, on the southeastern United States, the book examines works ranging from James Hampton's well-known Throne of the Third Heaven of the Nations Millennium General Assembly (now part of the Smithsonian collection), to several elaborately decorated yards and gardens, to smaller-scale acts of commemoration, protection, and witness that African Americans have created in and near their homes.^
• In illuminating these goals and documenting their expression through specific cultural practices, No Space Hidden makes invaluable contributions to our understanding of African American religion, art, folklore, and material life.
• The authors show how the artful arrangement and adornment of everyday objects and plants express both the makers' own experiences and concerns and a number of rich and sustaining cultural traditions. They identify a "lexicon" of material signs that are frequently and consistently used in African American culture and art - including the all-seeing eye of the "diamond star," the reflective surfaces that invoke divinity, and the watcher figures that represent messengers of judgment and authority - and then show how such elements have been incorporated into various individual works and, most important, what they mean to the practitioners themselves. As the authors point out, a remarkable consistency is apparent in the goals of those who create these works: service to God, justice on earth, and community improvement are chief among their aims.^

Subject

• African American aesthetics
• African American art > Southern States
• African Americans > Social life and customs
• Landscapes > Social aspects > United States
• Landscapes > Symbolic aspects > United States

Genre/Form

Bildband.

Bibliography (note)

• Includes bibliographical references (p. 221-228) and index.

Processing Action (note)

• committed to retain

Contents

Three yards : Chattanooga, Tennessee. Estelle Hamler's yard ; Olivia Humphrey's yard ; Sam Hogue's yard -- Resources and contexts -- A proposed lexicon : traditional signs in African American cemeteries, homes, and churches -- Material signs and sight -- Giving spirit to place : zones of wildness, cultivation, and ruin. Wess and Sue Willie Lathern ; Eddie Williamson ; Lonnie Holley -- Kinds of land and what happens there -- "Doing things right." Robert D. "Lightnin'" Watson ; Dilmus Hall -- Foundations of yard work -- Transforming times and places. Bennie and Elizabeth Lusane ; Annie Sturghill -- Transformation and safety zones -- The light of heaven on earth. John Bunion "J. B." Murray ; James Hampton -- Bright glory.

ISBN

• 1572333561 (pbk.: alk. paper)
• 9781572333567

LCCN

^^2004010751

Owning Institutions

Harvard Library